Vomitizer--Release the Rats (CD/LP) (2026 Undercover Records)

undercover-records.de

7/10 CRUSHED FUCKING SKULLS

You'd better believe we're going to cover a band called Vomitizer in the pages of Ominous Vomit! They have a thing for rats on this record, with the word appearing in no less than three song titles. The songs are rather simple, built on almost doomy riffs at times, but they do a lot with these riffs and manage to craft songs that stick with the listener and have you mouthing the words before the song is over. This band really doesn't sound like anyone else, even in style, and is completely unique. Even when resorting to a blast, just their guitar sound makes them sound different - it's a super crunchy, almost punk guitar sound. Vocally the singer relies on high-pitched screams for the most part, instantly setting them apart from most bands. You can hear the scorn drip from his every word. The band is quite dark, and cover dark topics of religious hypocrisy in their music, which I find very appropriate for their style. Not a bad effort here, and one that warrants investigation into their future recordings. I shall await the next record eagerly.

Pighead--Relapse Into Obscurity (CD) (2026 Rising Nemesis Records)

risingnemesisrecords.de

7/10 CRUSHED FUCKING SKULLS

I love when I can hear the guitarist's fingers and pick on the strings. I've loved that ever since I heard Kill Em All. Pighead has a lot of that surface noise on this EP, and it makes me like it even more. This is brutal death metal I can really get into - sure, it has modern elements of slam to it, but Pighead is first and foremost a good death metal band. I can even forgive the bass drops because they're not especially egregious like with some bands. The blastbeats are sick, being truly steady and fast, and all the little fills from the drums make the songs way more interesting. There's a level of technicality here that not many brutal death metal bands can pull off, riding the line between being barbaric and being too technical. It's a restrained sort of technicality. The slam parts are reminiscent of Abominable Putridity, and the faster parts sort of remind me of Dying Fetus. They have the same sort of playing style when it comes to the riffing. Vocally we have a guttural growl that's actually powerful (a rare thing) and fun to listen to, and isn't trapped in a toilet all the time. Overall, this is a good effort, and I want to hear more from this band in the future.

Coprolith--Putrescence (CD/LP/CS) (2026 Me Saco Un Ojo Records/Rotted Life Recorcs)

mesacounojo.com

7/10 CRUSHED FUCKING SKULLS

Coprolith from Toronto delivers their first full length and it's a grimy fucker, with music that matches that gnarly cover. They play a dark form of death metal that owes a lot to Incantation, but they've really created something interesting here. The riffs are gross, and slow to mid-tempo, teetering on the edge of doom all the time. It's rather a different approach to the style. Of course the vocals are mainly low roars, and there's plenty of echo on them so they sound like they were recorded in a cave, albeit one with good acoustics. They're totally filthy and awesome - they are produced extremely well. When the band finds a groove, they tend to stick with it, which I like. I've never been a huge fan of this style, but these guys have things in their sound I can sink my teeth into. The riffs are quite interesting at times and even though they're pretty slow overall, I still find my attention being held. I think Me Saco Un Ojo has a winner here, and I will probably pick this up and listen to it again if the mood strikes me.

Gouge--Pure Deathfuck (CD/LP/CS) {2026 Hells Headbangers Records}

hellsheadbangers.com

8/10 CRUSHED FUCKING SKULLS

Again, Hells Headbangers has scored with this release, as they consistently do. It's amazing to me that a label's releases can so closely align with my own musical preferences. Gouge is back after eleven long years to deliver five tracks of pure Repulsion-style death metal as it was meant to be played. There are perhaps little hints of Impetigo influence at work here as well. The vocals are still as unhinged as ever, hearkening back to a time when death metal vocalists pushed at the edges of what thrash vocalists were doing - these aren't growls, but they're definitely death metal vocals, in other words. The production is clear but raw, and reminds me a little of Horrified, but with modern recording technology. It definitely adds to the band's personality, making them sound different than other bands of today. From what I can tell it looks as if the CD version comes with bonus tracks that consist of their out of print debut EP Doomed to Death, which is a good move. This is a quick listen at just shy of twelve minutes but you'll want to replay it at least once since the songs are all excellent.

Sabiendas--Puppeteer of Doom (CD/LP) {2026 Kernkraftritter Records}

kernkraftritter-records.de

9/10 CRUSHED FUCKING SKULLS

Here we have yet another German death metal band (they sure have a lot of death metal in Germany these days), and this is their first effort in six years. The wave of bands putting things out after more than five years is wild - there's just so many. Strangely, I've never encountered this band before, and now I want to hear their whole back catalog. They play a vicious brand of death metal that clearly looks to older Cannibal Corpse and Sinister as influences, but they've put their own stamp on their sound and are quite mature-sounding. The production is a standard modern death metal sound but emphasizes the guitars, which is a wise move with this many good riffs. Said riffs are aggressive, chunky, and evil-sounding, a perfect combination. They also give us quite good guitar solos in some places. The vocals are fucking strong, being low throaty growls with just the right amount of understandability and brutality. The vocal patterns are pristine and rhythmic and they fit the riffs perfectly. I could listen to this vocalist for hours. Just when I think I want to name a standout song or two, another track comes along that's equally as good as the one I was thinking of naming! All the songs are just so good. This is real death metal for the diehards out there and you shouldn't pass this one up.

Resurrected--Perpetual (CD/LP/CS) {2026 Testimony Records}

en.testimonyrecords.de

9/10 CRUSHED FUCKING SKULLS

Resurrected from Germany return with their eighth full length, and the first in nine years. This was always a band that I was aware of, but had never bought any of their records for some reason. In retrospect, I need to go backward in their back catalog and get some of this stuff! On this record they offer up more of their patented death metal with grind overtones. Their style is very much in the vein of the Floridian masters Malevolent Creation, perhaps mixed with a tiny bit of Immolation, Dying Fetus, and Hateplow. The vocals are a deep roar, a powerful and throaty style that has absolutely no fucking weakness in it. The growls are expressive and creative and the vocal patterns are quite good. He can also deliver a guttural that shames most other singers that try it. The production is a solid modern death metal sound which takes away a bit of their personality but their songs more than make up for it. The riffs are sublime, full of violence, with catchy hooks everywhere, and the songs are focused with ferocity. I can't believe I missed out on this band for so long and never bought any of their material. I have a feeling that's about to change. That logo is still no good, though.

Sarin Attack--Perikato (CD) {2026 More Hate Productions}

morehate.com

7/10 CRUSHED FUCKING SKULLS

On their second full length, Sarin Attack have brought us some seriously fierce fuckin' grindcore that attacks, attacks, and doesn't let up. They remind me just slightly of Nasum, but the looseness in the production gives them their own identity apart from any comparisons, kind of like how the bands in the 1990s all had a different sound just due to recording techniques. This is pretty noisy stuff, which mostly stems from the chainsaw guitar sound and relentless blasting (there are no triggers on the drums as far as I can tell). It takes a couple of songs to adjust to the recording, as it's a little thin and noisy, as I mentioned. After your ears adjust, though, it's perfectly fine. The band is remarkably adept at writing catchy riffs, which not all grind bands are capable of, and little hooks abound in their material. Vocally they rely on primarily a low growl but at times a high scream enters the mix, often when layered with the low vocal. It's a quick listen, as the songs are short, and a lot of it is in Finnish so I can't tell you much about the songs, but there are three done in in English which allows me to assume they're primarily talking about societal issues, injustice, and social critique. Pretty common for grind with its punk aesthetic and background. In all, it's a good record, not great, but worth your time if you're a grind freak like me.

Woundead--Once Buried They Come Back to Life (CD) {2025 Despise the Sun Records}

despisethesunrecords.bandcamp.com

7/10 CRUSHED FUCKING SKULLS

Woundead come to us from Italy and they play a disgusting form of death metal that hearkens back to the sounds of the early '90s. Death metal has always been the audio equivalent of a horror film, and Woundead continue this fine tradition with a sample from a movie I cannot name as the intro of "Obsessive Gore Compulsion." The intro to the album itself, "Introduction to Macabre Overture," features '70s horror-inspired synths and horrific noises. Plus, we have zombies on the cover! Stylistically I hear a lot of things - Autopsy in the strangled vocals and the unhinged delivery thereof; Desultory in some of the riffs and rhythms. They're just the first to come to mind. However, the band has a fairly unique sound overall and defies comparison beyond that. Maybe, at a stretch, some early Massacre? The songwriting is simpler but satisfying and filled with hooks, each song being distinct and unique. In fact, they do a lot with simple riffs and it speaks to their talent as songwriters. There's no flashiness here to hide behind, just solid death metal. This is definitely a record for the diehards to investigate, and if you like simpler death metal, this could be a new favorite.

Reeking Aura--On the Promise of the Moon (CD/LP) {2026 Profound Lore Records}

profoundlorerecords.com

7/10 CRUSHED FUCKING SKULLS

This is the second full length from this rather unique death metal band, playing with both melody and brutality. These aspects of the band are meshed so well that it's hard to say there are sections where one or the other quality is more important. They've achieved that rarest of sounds - melodic brutality. Sure, some songs lean more heavily one way or another, but both elements are always present. The vocals are all primarily guttural, but they're performed with a strength that is very rare in a guttural vocalist. He's quite unique in this way. There are times when he resorts to more standard growls, and these are excellent, too. They have these little Edge of Sanity-style progressive moments throughout their material and they're quite welcome as a brief respite from the brutality that surrounds them. IT makes for a varied listening experience. The production is a solid example of a good modern death metal recording, and there's quite a bit of space for each instrument to shine. While not a band I can immediately declare myself a fan of, I will readily admit this is one of the most unique death metal bands I've heard in a while, for that matter in existence today. They play in a section of the field where no one realized a player was needed! They also get the award for making me laugh today with their track titled "Manure Like Magma!" 

Belligerence--Liturgies of the Vile Ones (CD/LP/CS) {2026 Lycanthropic Chants}

lycanthropic.de

8/10 CRUSHED FUCKING SKULLS

This German band has unleashed their second EP and it's a good one. This is heavy on the Morbid Angel influence, and they're doing a better job of it than those geezers ever could these days. There's quite technical playing present here, and they show it off when the mood takes them, sometimes during slower sections of the songs where they can play around a little more. These are remarkably well-crafted songs with a sense of maturity about them. Entertaining transitions abound, and plenty of changes keep things interesting. Plus, these guys can grind with the best. The vocals are primarily a low growl, but they're expressive and fueled by anger. The singer has perfect technique and sounds quite smooth. I really enjoy listening to him. Production-wise, the sound is solid and modern-sounding, but it's not overdone like so many records these days. It doesn't sound overly digital. I can see why they titled the record after the song "Liturgies of the Vile Ones." This song shows off everything they can do, and it's easily their best song. This one will make it into my rotation every once in a while for sure, and I look forward to what's next from this band.

Necrocysm--Eternal Infernal (CD) {2026 Sevared Records}

www.sevared.com

5/10 CRUSHED FUCKING SKULLS

Here we have more Indonesian brutal death metal, but different stylistically than a lot of their brethren - they're more in line with early Dying Fetus than they are with the Disgorge style of brutality. They're definitely not a slam band, but they do employ elements of it - the overwrought bass-heavy production, the subsonic bass drops when coming in after a pause, and of course the breakdown in the middle of the song. The rest is competent brutal death metal, however, in a modern style that wouldn't be out of place on a larger label. The production is annoying at first, with the drums being too in-your-face, and the kick drums are too loud or something. I can't really put my finger on just what's wrong with it, but it ain't right. The vocals are definitely of the Dr. Claw variety, that vicious enemy of Inspector Gadget, with a throaty style that reminds me of that cartoon character quite a bit. They can definitely play their instruments, and this has a definite technical side to it with some impressive sweeps and drum fills. Overall, it's a pass for me, but if you're a sucker for Indonesian brutality and want something a shade different, this may be for you.

Infected Dead--Invicta (CD/LP) {2026 Independent}

infecteddead.bandcamp.com

8/10 CRUSHED FUCKING SKULLS

Infected Dead from England have given us a four-song EP that just burns the fuckin' house down every time you play it. This is the best sort of technical death metal, full of great riffs and, most importantly, good songs. There are just so many interesting things going on here that it's hard to decide what to write. First, let's start with the obvious, the guitars. These motherfuckers can play, and clearly have wizard levels of talent. There's lots of stop/start riffing, scales, and arpeggios. The riffing is endlessly inspired and inventive. The guitar solos are perfection, and ones you'll want to rewind to hear again. The same goes for the bass and drums as they lay the foundation for the rest. The vocals are quite rhythmic, following the lead of the guitars quite often, as the guitar work is also rhythmic. Most of the time the vocalist uses a mid-range growl but he's also capable of low roars and high screams, and uses them all liberally. I can't compare these fine gentlemen to any other band, they're that unique, but if you like death metal with some real shred, you'll want this.

Vilethrone--Funeral for a Forsaken World (CD) {2026 Base Record Production}

baserecordproduction.com

4/10 CRUSHED FUCKING SKULLS

Vilethrone hail from Spain and play pretty standard death metal which seems to take inspiration from the new wave of death metal bands that load their songs down with groove, which I am fine with. There's also a little black metal influence that raises its ugly head once in a while. They have some decent riffs here and there but not enough of them to really keep me interested. The songs themselves are written well enough with clear attention being paid to good writing, but the riffs just don't cut it for me in many cases. I found the drum sound to be too mechanical, and it's clearly triggered or sound-replaced, which is fine, but this is a particularly obvious example and it makes it sound too rigid. Especially the snare. This one was a pass for me, but if it sounds cool to you, by all means check it out. I'm just one guy with an opinion!

Posthumous Regurgitation--The Coroner's Guide to Cadaverous Cuisine (CD/CS) {2024 Headsplit Records}

headsplitrecords.blogspot.com

8/10 CRUSHED FUCKING SKULLS

Since the band name has a reference to vomit in it, you know we're going to cover it here! Headsplit releases are interesting to me nearly every time, and Posthumous Regurgitation is no exception. This album is excellent. These Oregonian madmen have crafted one of the finer death metal/goregrind hybrid sounds I've ever heard. The roots of goregrind can be heard in their sound as well, with tiny nods to Carcass, but they also have some similarities to Haemorrhage and Butcher ABC. The vocals are mostly natural gutturals and screams, but a pitch-shifted vocal makes an appearance once in a while. It's a rather diverse effort vocally, which not a lot of goregrind can claim. I believe this to be their death metal influences at work. The production is clear but not overwrought like so many albums today, and all the instruments have a nice natural sound. It's a quick listen at twenty-two minutes and change, with nine original songs and a cover of General Surgery, but it's a worthwhile one.

Wormlord--Choices (Digital) {2026 Independent}

wormlord.bandcamp.com

7/10 CRUSHED FUCKING SKULLS

Wormlord, from Finland, play Swedish-style HM-2 death metal that's quite good, and they bring enough creative riffing to bear to keep from sounding like just more of the same. They remind me quite a bit of the early Bloodbath material, right down to production and vocal sound, even if the vocals are a bit higher in pitch. They put enough of themselves into this to keep it from becoming a "worship" band, however. The songwriting is excellent and memorable, and the hooks are catchy enough to do their job. Most of the songs have at least one completely crushing riff in them (aside from the weird acoustic song that is "Ivory Tower" - that came out of left field, feeling out of place on the album, and should have been last in the track listing). The song "Mania" is a standout favorite for me. The main riff of the song is pulverizing after the extended intro winds up the song. This is a rather inspired example of the Swedish death metal sound, and if you're an HM-2 junkie, this one's for you.