Desecresy--The Secret of Death (CD/LP/CS) (2026 Xtreem Music)

xtreemmusic.com

7/10 CRUSHED FUCKING SKULLS

When Desecresy first hit the scene back in 2010 or so, I knew it was going to be a special and important band. Now we're on the ninth full length album with no signs of stopping! I was a big fan of Slugathor, which Desecresy mainman Tommi Gronqvist also played in, and the bandsw have a similar feel to them at times. It's that ancient, slower style of death metal that is both obscure and crushingly heavy. That's not to say all the material is slower, it's not. There are indeed faster moments and the tempos vary quite a bit sometimes, but a lot of time is spent in mid-tempo territory. What this band does best is stuff like at the beginning of "Crypthymn" with the slow fade-in with horror sounds. Then comes the crushing opening riff, then on into the meat of the song. It's these sorts of transitions that I listen for in Desecresy's music. I'll never understand how one man can play all these different instruments with such proficiency. I can't play a damn thing besides using my throat to make evil noises, and it seems so wild to have mastered even three different instruments plus singing as Tommi does in this band. I'm always impressed by this. Overall, this is definitely worth a few listens, and the effort to track it down will be rewarded.

Morgarath--Onward to Extermination (CD) (2026 Independent)

morgarath-dt.bandcamp.com

7/10 CRUSHED FUCKING SKULLS

Morgarath from Poland play a delightfully rough and morbid mixture of black, death, and thrash metal, bringing to mind comparisons to Protector, Messiah, Necrodeath, Sarcofago, and early Sepultura. The production is raw yet all the instruments are quite audible and there's some real talent here. This is not a band using a raw production to hide any deficiencies in their playing. No, they can play. For some reason I really like the flat bass drum sound, it just sounds great to me along with the natural sound of the rest of the kit. The vocals are mixed a bit high compared to the other instruments, and they're a bit noisy, but you get used to it just like with the demos of old. This is excellent material overall and I highly recommend it to fans of the old South American scene in the late 1980s. It has the same feel to it, and it's quite a satisfying listen in a world of perfect productions and sterile atmospheres. Slick recording has made all metal sound the same, and it's a tragedy. It's nice to hear a raw production once in a while.

Feretro--The Mortuary Destiny of Flesh (CD) (2025 Nihilistic Holocaust Records)

nihilisticholocaustrecs.bandcamp.com

8/10 CRUSHED FUCKING SKULLS

Feretro have finally delivered a full length after a long stretch of demos and splits going all the way back to 2008, and it was worth the wait. This is death metal in the old way, reminding me of Mortuary, old Sepultura, and old Death. They have a doom-influenced side as well, evidenced by how many times they slip into a slower tempo. Thankfully they don't dwell on those riffs long, as it might put me to sleep. As they are, they add dynamics to the album, used sparingly. The guitar tone is rather satisfying on this album, being thick, crunchy, and clear. It reminds me a lot of the tones Schuldiner used to use. Vocally we get all sorts of growls and screams, from near-gutturals to high-pitched shrieks, and everything in between, but with a marked predisposition toward sounding as morbid as possible. There aren't terribly many blastbeats, as they style here is more toward '80s death metal, but the double bass is constantly at work providing a lot of forward motion for the songs. I fully recommend this record, and it's absolutely worth the trouble to track down.

Obstruktion--The End Takes Form (LP) (2025 Suicide Records)

suiciderecords.se

6/10 CRUSHED FUCKING SKULLS

Obstruktion from Sweden play an absolutely seamless melding of death metal and metallic, dissonant hardcore. The hardcore strips down the death metal to the absolute basics and leaves the riffs and heaviness intact. The vocals remind me of the intensity of The Haunted's original vocalist, with his frantic delivery and wound-tight-as-fuck presence in the mix. The same thing is going on here, as the vocals resemble hardcore vocals more than death metal, most times, although growls do make several appearances. The riffs are an even match between hardcore and death metal, with the guitarists welding hardcore to the death metal like it was just a bunch of spare parts to a motor that gets even more powerful as you add to it. Some of the material is an instant hit for me, and some is an instant miss (the more dissonant riffing). This is highly original material stylistically and avoids the trap of "this is just hardcore with death metal vocals" that some bands fall into. No, this is a more deft combination of the two styles without falling into the deathcore trap, either. They're death metal enough that I'd welcome their presence on a death metal show, but they would easily fit into a modern hardcore show as well. Not bad, not amazing, yet definitely original.

Chaos Inception--Vengeance Evangel (CD) (2025 Lavadome Productions)

lavadome.org

9/10 CRUSHED FUCKING SKULLS

I've been a fan of Chaos Inception for a long time, and of their predecessor Fleshtized before that, so when a new Chaos Inception record was released, it went on my rather lengthy review list and I'm just now getting around to reviewing it. Since this site is more of a journal of my listening journeys and adventures and less about promotion, I'll often review things that are a bit older. If you're not familiar with this band, it's ok - it's been thirteen years since their last record graced our ears with its sounds. They're still hyperblasting death metal that reminds me of Hate Eternal and Morbid Angel with a touch of older Krisiun. The occasional weird sludgy riff rears its head like in the beginning of "10,000 Dead by Pincer," which especially reminds me of Morbid Angel. I'm fine with this since Morbid Angel themselves can't be bothered to play good death metal these days. This whole song is like an ode to proper Morbid Angel-style death metal. I like that they wear their influences on their sleeves, these guys always have, and their musicianship is top notch as well, with all the instruments giving us a clinic of proper death metal playing in a classic style. Vocally we get a quality performance that hearkens back to the best of the 1990s, with excellent rhythmic patterns and a good mid-range tone to the growls. This is an album that death metal fans cannot go wrong with, so give this band some support and track this down.

Protrusion--The Last Suppuration (CD) (2026 Sevared Records)

www.sevared.com

10/10 CRUSHED FUCKING SKULLS

A new band comprised of scene veterans, Protrusion explodes from the Indiana underground with this new release on Sevared, and it's a mighty release! The band have current members of Human Filleted in its ranks, and other bands they are or have been in include Sarcophagy, Sadichist, Between the Killings, Gorgasm, Emulsified, Found Hanging, and many more, according to the Archives. This album reminds me of the classic Midwest sound, and in the best of ways, from the largely mid-paced approach to the writing of actual songs with catchy riffs. It reminds me of the mid-1990s specificially, and the material coming out of the area then. The album as a whole completely blew me away. The vocals are all guttural but are done using actual discernable vocal patterns that elevate them beyond mere background noise for the sake of having vocals. They are important and are given a proper bit of thought in the writing process. So many bands don't care about the vocals when they're doing gutturals, but this band is a huge exception to that rule. They prove that even gutturals can be expressive and well-planned like any other style of vocal. If you want straight forward and brutal death metal the way it used to be played when all the bands had a different sound, then this is for you. Everything about it is perfectly executed, right down to the production, and I could listen to this over and over again. This is one for the true deathmaniacs and deadbangers! 

One Day in Fukushima--The Shameful Eighteen (CD/LP) (2025 Global Help Records/Jungle Noise Records)

globalhelprecords.com

8/10 CRUSHED FUCKING SKULLS

One Day in Fukushima play furious grindcore that borders on deathgrind at times. They manage to write in plenty of hooks and catchy moments into these brisk songs. They do have one of the funniest song titles ever, "Conan, Destroyer of Incels," which makes me chuckle every time I read the words. This is grind, so the songs are socially aware lyrically, and critical of our current world order, as they should be. I never took this band seriously before because of the name, but after seeing the awesome cover of this LP, I was tempted into checking them out, and I'm glad I did. My favorite thing that they do is when they drop a Terrorizer-style riff into the midst of their furious punk-based grind, it truly metalizes this material. Vocally, this is about what you'd expect them to sound like, with low growls mixed with high screams, often in the same verse or measure, but the performance is powerful and should be commended for tone and vocal patterns. The blastbeats are steady and precise, as well as energetic, and they focus the intensity of the music. I find often that grind succeeds in being much more intense than death metal due to the urgency with which it's played. Overall, this is a fine record, and one that belongs in every grind freak's collection!

Horrid Mass--Nauseating Ecstatic Degeneration (CD/LP) (2026 Memento Mori Records/Night Terrors Records)

memento-mori.es

7/10 CRUSHED FUCKING SKULLS

This is the first full length from Milwaukee's death merchants Horrid Mass, following up a demo from three years ago. They sound like a bastard combination of Autopsy and Incantation, but with perhaps some influence from the gasmask metal set with stiff blastbeats and string scrapes. The vocals are cavernous, sounding like they were recorded in an old well after the rest of the band gave up trying to save the singer after he fell down it. I like the raw edge to the recording - it's just this side of noisy, but tempered perfectly with proper levels and a natural drum sound. This is another band that uses textures to add to the songwriting, and it's often the bass guitar adding a layer of grit overtop the rest of it all. I usually don't like this style very much, but there's something about this band that is just a little different, and I can't really pinpoint what it is so that I can tell you dear readers. Suffice it to say that this is a satisfying listen of dark and noisy death metal, and if you like that style, you'll love this record.

Wharflurch--Mycodeath and Rebirth in the Outer Clusters (CD/LP/CS) (2026 Personal Records/Gurgling Gore Records)

personal-records.com

gurglinggore.com

10/10 CRUSHED FUCKING SKULLS

After a remarkably prolific several years (2020-2024), this is the first new Wharflurch material in two years, which seems like an eternity for them. From what I understand an entire lineup left the band, leaving them to rebuild from basically nothing, but rebuild they have, and this album is a resounding success. Their style is largely unchanged, being the same Wharflurch we all know and love (that's a huge assumption on my part, but how could you not like this fungi-obsessed, doomed-out death metal?!).  This is even more musically accomplished than their previous work - this band has become even better somehow. Their use of textures on this album doesn't disappoint. The album itself feels like the cover looks, all technicolor and ugly yet somehow clean and wondrous. The synth interludes are amazing, and they add dimension to the death metal that would otherwise be lacking on this record. This is unique stuff, requiring unique sounds. They're a highly song-focused band, writing catchy ear-worms that you won't easily forget, all the time textured by those evil-sounding synths. It's a masterclass in metal songwriting that transcends subgenre. This is just excellent heavy fucking metal in general and deserves recognition as such. This album is a triumph and a high water mark for the year.

Miscreation--Miscreation (CD) (2026 Independent)

miscreation.bandcamp.com

7/10 CRUSHED FUCKING SKULLS

Miscreation hail from Germany and play straightforward death metal with quality. They focus on heaviness and groove over speed, and that is perfectly fine - they're at their best with mid-paced material, and their rhythm section clearly loves that slower speed because they can truly show off what they can do with that much space. The guitars often add a little melody to the madness in a way that reminds me of mid-period Hypocrisy, when they were slower and heavier. Vocally we get primarily deep, chesty growls, but they creep into mid-range when the song calls for it or to emphasize a vocal line. It's a powerful performance, and the vocals truly shine on the album, perfectly offset by the clear and heavy guitar tone. This is better than a great deal of the material coming out on labels these days, and you should at the very least pick this up digitally via their Bandcamp site, if not physically.

Brainbath--Headhunted (CD/LP/CS) (2026 Independent)

brainbathdm.bandcamp.com

10/10 CRUSHED FUCKING SKULLS

Hailing from Glasgow, Scotland comes Brainbath, who play death metal firmly grounded in 1990s sensibilities with catchy riffs and rhythmic vocals that reach out and strangle the attention out of you. There are some similarities to Deicide, Bolt Thrower, and Grave, all of which is perfectly fine by me, but this band is more than the sum of its influences. Their songwriting is original and enjoyable. They're not reinventing the goddamn wheel, they're playing damn good death metal. Period. In fact, they have that certain "something" I'm always looking for in death metal bands. It's the catchiness and metal attitude that hearkens back to the bands of old. I really like the use of reverb on the vocals in strategic spots, and the vocals themselves have an interesting unique tone to them, and a forcefulness that most vocalists cannot muster. This band has figured out that death metal vocals aren't an afterthought, but are quite important, as important as any other instrument on the record. I'll be listening to this album over and over, as it has absolutely everything in death metal that I'm hunting for, from speed to breakdowns to thrashing riffs, crushing vocals, and pounding drums, as well as the ever-important good songwriting. I'm settling for the digital edition since I don't trust the tariff situation in the USA yet for ordering from overseas, but if this were to show up in a distro I normally order from, I would be all over getting a physical copy!

Demonic Manifestation--Grimshrine (CD) (2026 Personal Records)

personal-records.com

6/10 CRUSHED FUCKING SKULLS

Demonic Manifestation play heavy as fuck death metal from Mexico with a dose of darkness coming from the drawn-out vocal patterns, which are a like a summoned demon draining the light from around it. At first I wasn't sure if I liked the vocals due to the way the patterns are performed, but they grew on me after a few songs and I suddenly understood what the band was attempting to do with them - it's another (horrific) instrument to add a dark heaviness, not just words. It still grates on me a bit. I tend to like catchy, rhythmic vocal performances, and this is neither. There is usually one supremely heavy riff in each of these songs that immediately becomes the focus of the song or at least the most memorable part of it, and the songwriting itself is quite good. The music does a good job of evoking the cover art, with writhing tentacles and a goat demon in the background cavorting in a graveyard, while a phantasmagorical depiction of a screaming man and skull are in the forefront. This is pure nightmare fuel, and the music furthers the artwork. In the end this was just better than average for this style, and it's not something that's on my immediate list to purchase, but if you're an HM-2 junkie, your mileage may vary, especially if you like seriously dark death metal.

Nothingness--Godslaughter (CD/CS) (2026 Everlasting Spew Records)

everlastingspew.com

6/10 CRUSHED FUCKING SKULLS

Nothingness has returned with a third full length, but this is my first encounter with the band. Superficially, I can compare them a bit to older Gorguts or Tomb Mold, but only superficially. This band has their own sound, and it's dingy, dark, and full of filth. They're not necessarily worrying about hooks or catchiness even with the significant amount of repetition in their songs. They're just bulldozing you with capable riffs and going where the riffs take them. Not that there are no hooks at all, there are. It's just not the primary focus from what I can gather. This is oppressively heavy and at times experimental, playhing with textures and layers in the riffing. This is challenging death metal for the thinking metalist, and while that's not usually my favorite type of band to listen to, the heaviness this band brings to the fore makes up for that, at least for me. Death doom fans will also find a lot to like here, especially in songs like "Vanquishing Providence," with its doomed-out passages and grooves. Overall, I can take this or leave it, but it's better than the average death metal record these days, so give it a try if you want something a bit more outside the box.

Horror Paradise--Dominio Inhumano (CD) (2026 Concreto Records)

concretorecs.com

7/10 CRUSHED FUCKING SKULLS

This is very much brutal death metal in the Suffocation style, with playful riffs and tons of technicality. The production is solid and modern sounding without being overdriven or too loud. The engineer did a fine job here. Vocally, this is all low growls, occasionally creeping into mid-range, and it's a powerful performance with excellent tone and diction, although I can't understand all of the Spanish lyrics. I'm mono-lingual, of course, with English being my only language. The band occasionally slows into a catchy groove in many of the songs, adding hooks and dynamics to their material. A lot of bands that play in this style can't write a good song, instead relying on the sheer abundance of riffs they generate, but this band can and does write well. The drummer puts on an absolute clinic and is the star of the show other than the vocalist. He even uses a cowbell here and there in his fills which I thought was highly entertaining and unique. The bass is allowed to shine as well, being higher in the mix than the usual brutal death metal band. The tone and playing are exceptional, like every other instrument on the record. This is definitely one to check out if you crave this style, and it's worth a few listens. 

SInister Void--By Rot and Shrapnel (CD) (2026 Metal Race Records)

metalrace.com

9/10 CRUSHED FUCKING SKULLS

Sinister Void play completely heads-down death thrash that reminds me of the best of the late '80s and early '90s death metal scene. They don't focus on speed but on grimace-inducing heavy thrashing riffs with driving rhythms behind them, much like the power that Demolition Hammer showed off in their time but tempered with Massacre-style death metal. This is heavy death thrash with growled vocals, not your typical party thrash masquerading as something more vile. The double bass drumming fires like a machine gun through a lot of this material, which is nice to hear. It adds some serious intensity to the songs. The band inevitably breaks each song down into a heavy-ass death metal groove, and I love when they do it. It makes the songs so much heavier. They also don't piss around with songs that are too long, either, most being around that sweet spot of three minutes or so. I've been looking for a good band in this style and I'm happy to say I've found them.